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Loetz |
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1905-1920 |
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The shapes that originated from
1914 on were certainly inspired by the contacts with Viennese artists. A
varied range of bowls and bell-like vessels, in opal "Tango"
colours with black, blue and violet accents, defined the production
for the years to come.
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| Ausführung 165 Mandarin mit schwarz, 1916, III - 845, © FI | Kaiserrot mit schwarz, 1915, III - 600/7", © MC | Ausführung 166 Maigrün mit dunkelblau, 1919, unknown, © FI |
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A strong impulse exerted from the work of Michael Powolny. His striped decors, originally designed for the "Werkbundausstellung, 1914" in Cologne were freely adapted and constituted a large part of the production. These pieces are often mistakenly attributed to Michael Powolny. |
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His designs for Loetz are well documented and shown in H.
Ricke, "LÖTZ, Böhmisches Glas 1880-1940 Band 2"
and Neuwirth, "Loetz Austria, 1905-1918". The influence of Dagobert Peche's flower designs showed in the designs of Hans Bolek, but also in the more common form catalog, with decorations by painters like Franz Wilms. Truitt, "Collectible Bohemian Glass, 1880-1940", p. 76 shows a series of handled bowls and baskets, decorated by the North-Bohemian company of Carl Hosch. |
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| Ausführung
157 Orange mit schwarz, 1915, unknown, ©
UK In-house Loetz design, in the style of Powolny |
Ausführung
157 Orange mit schwarz, 1915, unknown, ©
UK Flower decoration Franz Wilms (?) |
Unidentified
decor, 1915-1920, unknown, © FI The rectangular, interrupted stripes and the enameled flowers are the work of Franz Wilms |
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| Ausführung
134 Rosa mit stahlgrau, 1920, III - 1116, © RH |
Dunkelblau mit
Goldfäden, 1920, III - 1160, © UK |
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