OF THE SOUNDS IN THE DOUBLE P-ART SOUND SET FOR ESQ1/SQ80 (Scroll down to bottom)
With CELLO* I feel and hear the bowhear sliding over the strings of a real cello under each key that I hold down CLAVRD One trick in ENV4 and instead of the sparkling CLAVICHORD you produre the exciting tremolo on the greek BOUZOUKI-lute
Let the children choir sing with two fingers and look to the PATCH PART manual how to modulate the KOOR2 patcb into the impressive RUSSIAN CHOIR sound
Who dares to say that the hidden waveforms don't enhance the ESQ-I capabilities? Open a famous European church and play a rich charming vibrato on the old historical organ. Or feel the sax-body in the left hand and play an erotic accordion tango with your right fingers without use of splits
is not a layered patch: blow on the extremely realistic flute and listen to the orchestra snare in the left. The ensemble is perfect.
Your music friends don`t believe you: the reserved and sensihle resonance of real sounding Glockenspiel on THEN
Make gamelan music on the upper half of your ESQ1. Open the third DCA and in the lowest keys you'll find 'INDIA: Tabla appears in the first key and pick the strings of the Sharadiya-Vina with the other fingers in the key-area.
locate the Flamenco guitar in the left and the piccolo in the right corner of the stereofield. The middle of the keyboard is mute due to the incomplete hidden waves in the same soundpatch 9-T EP Play a minor third : a major third sounds! Play a perfect fourth and hear a perfect fifth. Don't try to execute Für Elise in the 9-tone scale.
You'll never play bad trumpet using the Quarter Tones of 24-TTR
Whichever chords or clusters you play with '6-t FL you can't play false. Change the pitch ratio of the keys with KBD or KBD2 modulation of the oscillators and discover new tuning scales.
The Arab lute of 'PIM75 i is based on phantom WAVE 74, a wonderful starting point to scroll through the hidden sound collors of your ESQ-1. Play a nice brass melody with a single finger on the same key. Or conduct the consonant brass ensemble with a walking sensitiv hand of dissonant pitch intervals.
HAMD W Play Hammond organ and modulate the tremendous Lesley with the ESQ1-MOD wheel. The CEREMO organ sound is particulary appropriate for weddings and ceremonies.
isn't a layered or splitted patch and use only one oscillator and one ESQ-1 keyboard two hands on two manuals of a grand pipe organ. Look to the patch manual how to change 'GLANS into a romantic organ reverberating in an old intimate chapell.
Three patches for full classic orchestra. For example with CLAV*E you may controle the clavichord and the string ensemble in the background with the power of the dynamic touch.
illustrates the power of LFO: a horse runs away at the horizon of the Far West.
Be obsessed by 'OBSES: the repetitive music of dancing pygmies skiving primitive flutes.
Piazzola plays with the right hand the melody of a TANGO D'AMORE. The basses of his Argentine accordionmusic appear in the lower part of your ESQ-1(SQ-80) keyboard.
Encounter the exotic world of the Japanese Shakuhachi flute on your ESQ-1(SQ-80) and control the blowing ~nd with your feet.
are satisfying patches for attractive drum and percussion music on ESQ-1(S0-80).
sounds like a fascinating toybell instrument: normal chords on your ESQ-1 produce alternate harmony.
the falling-down-festival of pitches and harmonics. This last patches are a clinic for keymapping discover the new surprising world of incomplete octaves and handicaps of ESQ-1 hidden waveforms.
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