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These artists affiliated to P-ART are engaged in the same wide field of new music and contemporary arts. With a personal contribution to the P-ART WEB of ARTISTS, all selected artists belong to the virtual P-ART family, all together and completely free.

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The first place where I met Michel WAISVISZ (NL) with his fascinating Musical Hands conducting his "Black Box Ensemble", was El Dorado (Antwerp, Sept. 1993). Click on Distance.mov (3,007k) for the exclusive videofragment from Michel Waisvisz' opening performance. 
At most I love Waisvisz' innovation at STEIM (in collaboration with Peter Beyls): the crackle box
(< click). I still regret that I could never find or buy this innovative thumb synthesizer.  [Happy news August 2002: I take over the crackle box from Eppo van Straten (NL).]
In the meanwhile "The Hands" has become the major instrument of Michel Waisvisz. It consists of small sensors and keys sticked on his fingers. By moving his arms, fingers and hands, the performer controls an entire electronic orchestra.  Michel Waisvisz has played several concerts with his "Hands" in Europe, USA and Japan. 
Michel Waisvisz was director of STEIM FOUNDATION (Amsterdam), international forum for those who work in the electronic arts and the cyber culture. STEIM
(<click) is a international research and development centre for new instruments for music and visual arts.

A few years ago, the Russian pioneer Leon THEREMIN (< click for more info) visited STEIM and played "The Hands" of Michel Waisvisz.  Michel's father has built the ThermenVox, the starting point for his 16 year old son Michel to develop new alternative electronic instruments. `

In June 2008, I was astonished by the news about Michel Waisvisz' dead.

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P-ART WEB of ARTISTS

Michel WAISVISZ

(NL)

Digital Photo©P-ART 25/9/93 Antwerp

Click on my picture: please wait while loading 5,337k (!) in MOV/QuickTime format. Enjoy the compilation videofragment from my opening performance at EL DORADA, Antwerp (1993) © video P-ART  

 


MY MUSICAL HANDS

 

I used The Hands in concert for the first time in 1984 at The Concertgebouw  of Amsterdam. The instrument consists of a number of sensors and keys, mounted on two small keyboards that are attached to the players hands. The combination of many different sensors to capture the movements of the hands, the fingers and the arms make "The Hands" are still one of the most refined and musical MIDI-controllers.

We have rebuilt and reprogrammed The Hands many times. The Hands II are linked to a vast variety of MIDI-instruments: Yamaha DX7's, 802's, TX7's, SY99's, Emu samplers and STEIM's software products Lick Machine, Sam and LiSa (<click for INFO) and more recently also STEIM's visual performance program Image/ine, an image sampler/manipulator also to be used by what I see as the image performer of the near future. To translate the sensor information into MIDI, a small computer is worn on the back of the performer. This computer The SensorLab was programmable so that for each work a unique relationship between the performers gestures and the musical output can be programmed. The improvements consisted of a single wooden frame as the main body for attaching the various sensors, better components and a more reliable wiring-system. Also the software was rewritten completely using the new Spider- programming-system. I'm still using this version of The Hands.

However we have started at STEIM the development of The Hands III. "TAM TAM" (The Spirit of the Digital Djembé) is a performance that I did for the first time in Nagoya (Japan), July 1997. I have played "The Hands" during hundreds of concerts in many different countries and circumstances. After 12 years I felt the need to look back. Not with a nostalgic eye but with an exploring ear. As a physical reference for, and against "The Hands" I choose one of the oldest instruments in the world and started learning to play it: the Djembé - the talking drum from Africa. Playing both instruments during one concert inferred a controversial awareness of historical versus phenomenological presence in the players mind. Another notable fact was that the acoustic sound qualities of the Djembé enrich the electronic sounds; in a way electronics cannot enrich the sound of the Djembé.

Michael WAISVISZ

Contact and news about Michel Waisvisz

STEIM Achtergracht 19 1017 WL Amsterdam

Phon. +31 20 6228690

http://www.steim.org/steim/

about "The Hands" : http://www.crackle.org/

 

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The crackle box

The Crackle Box (© photo Eppo van Straten)

more information about the crackle box: http://www.crackle.org/
At STEIM (Amsterdam) in collaboration with Michel Waiswisz, Peter Beyls (B) designed the crackle box in 1975 to introduce the sensory electronic contacts.

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LiSa

of Frank Baldé and Michel Waisvisz (STEIM)

LiSa is a real-time audio manipulation environment for MAC Power PC.  It turns the Mac into a versatile audiosampling player, able to generate up to 64 voices, limited by the internal memory of the computer.

LiSa gives the MIDI-musician access to all perform features of a sampling player and it offers a variety of algorithms for processing the sampled sound.

Homepage STEIM:http://www.steim.org/steim/

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Full updated page: August 2002 with exclusive video-fragment

Last update Summer 2009.